Shame!

I'm ashamed to admit I managed to erase all of the photos off of this blog. I know I could blame being a new mother and going back to work, but really it was standard issue impatience. I was updating my own website and clearing off my server without checking or thinking. AAGH!

I've told myself I will find most of the images, but I don't believe myself.....feel free to goad me.

I do plan to post new work as well as new interesting inspiration, and in fact all of my past writing is still on here....so please don't go away.

Above is the amazing 7th anniversary present from my husband. Brass.

New project

Please excuse the light posting, I'm busy with my latest special project. Willa-Clare arrived on March 6 at 6lbs 6oz and 19 inches.

Hi tech/Low tech

I swear this is the last content I repost from PSFK for a while!!! Here they write about designer Maarten Baptist and his new collection that goes straight from rough sketches to 3D production, entirely skipping the process that would geometrically perfect his sketches.



Another instance of integrating a high tech method with a low tech way of thinking. I think maybe this is what I've been finding a lot of lately, maybe I need to be focusing on low tech methods merged with high tech ways of thinking?

Video game

Okay, maybe I'm getting into a trap of just reposting too much from PSFK, but here they lead me to another lovely project, site & maker...

Esquire wrote about this guy's video game work. It's the loveliest gaming I've ever run across. I'm so not into video games, but my dad was an engineer and we had lots of computer access in the early years and loads of hacked video games. The one I loved best was called Haunted House where the screen was all black and you were represented by a pair of eyes. You could pick up only one item at a time and you must avoid monsters and ghosts. The items can only be seen when the player uses the 'fire' button on the joystick to light a match, illuminating a small radius directly around his character; this can be done an infinite number of times, although the match only lasts for a limited amount of time before being snuffed out. I think now I loved that so much of the game was not visible on the screen but happened in your own mind, sort of a conceptual blindness....

ANYWAY, back to Jason Rohrer's games. They have low tech graphics, but complex emotional components. Here's a description from Esquire:

In Passage, you’re this little pixelated guy. You live in the stripe of color. The stripe is twelve pixels tall. It’s green. All else is blackness. Your job is to move up and down and left and right through the stripe — the “forest” — in search of treasure chests, sort of like in the Legend of Zelda....But soon you have to make a choice: share the world or keep it to yourself. You meet a girl. Your fat-pixeled soul mate. Link up with her and a heart explodes. You’re in love. Now she sticks to you as you move through the forest, less easily than before. It’s a trade-off: You can get more treasure by staying single, but bond with your “wife” and you earn double the points for every step you take. If you’re like most people, you’ll choose the comforts of companionship. Only, as you trudge across the stripe, something happens. Your pixels begin to fade, gray out. Your hair recedes by degrees. Your wife slurs into a matronly shape. It hits you: This is going to happen to me. Age, decrepitude, ugliness.

Another lovely hi tech/low tech intersection.....

Mail art

Another good one. A friend of mine from art school and I tried to send mail art back and forth to each other for a while after graduation....we never came up with any as lovely as these....although I don't think we really thought about it in terms of connecting with the post office.





** She has a book of them!

3 related projects

PSFK often links to really great projects, and sometimes I find several over a series of weeks or months that just seem to speak to one another. See the 3 below:



Blurb
Project
Creator
"Each month or so, we release a new issue of "i left this here for you to read." We then leave them in public places (such on park benches, on buses, in airports and dentists' offices...) for anyone to take--free of charge. Currently, we distribute our magazine in about 25 cities in the US and Canada....This project was started by Tim Devin, but now involves more than 100 people."



Blurb
Project
Creator
"For our latest mission, 20 Improv Everywhere agents personally welcomed home total strangers at JFK airport. Grabbing first and last names from car driver signs, we greeted strangers with personalized posters, flowers, balloons, and a 10-foot wide banner reading, 'Welcome Back.'”



Blurb
Project
Creator
"Visitors can buy a T-shirt of their own choice, the only condition being that they share a bit of personal information about themselves, or more precisely: their name and address. When paying for the T-shirt at the museum-shop, the information is automatically mapped in Google Maps, thereby making it possible to see where each T-shirt ends up after leaving the museum."

hairwork

I just started reading this interesting book called Love Entwined: The Curious History of Hairwork in America that I got from Christmas from my mom. It's a bit of an academic book, but my interest was sparked when I got married and my aunt lent me a beautiful piece of hairwork to wear that was my great grandmother's (a Norwegian immigrant). I could believe it was made of her hair! Of course I can't seem to find a picture of it as I wore it that day, but here are some other beautiful hairwork images:





This is what a lot of the plates in the book look like, but not what the piece I wore is like at all.



This one is a bit closer to it, although there were no metal parts. I also found this website that explains that a lot of this woven "Table work" technique began in Scandinavia. It describes the "Table work" technique as similar to bobbin lace making. There are also a lot of images around of hollow pieces (like the last image below) that are worked around a mold to keep them hollow.